We hope these materials and sources of information will be helpful to teachers, students, and Welty readers of all ages—those meeting her work for the first time as well as long-time fans.


‘Where Is the Voice Coming From?’ Multimedia Teaching Unit

Presented below is a new teaching unit on “Where Is the Voice Coming From?”, Eudora Welty’s short story based on the 1963 assassination of Mississippi civil rights pioneer Medgar Evers (photo courtesy Mississippi Department of Archives and History). 

Background About the Unit’s Development

The study of “Where Is the Voice Coming From?”, originally published in The New Yorker on July 6, 1963, received heightened interest nationwide during 2013 as the 50th anniversary of Medgar Evers’ murder was commemorated.

The creation of this teaching unit emerged from the success of the 2013 National Endowment for the Humanities Landmarks of American History and Culture Workshop, coordinated by the Millsaps College–Welty Foundation Partnership and the Eudora Welty House.

The Eudora Welty House and Garden staff assembled a team of scholars and teachers to assist in the preparation of the downloadable printed materials found below in pdf form. Special thanks to Sarah Ballard of Murrah High School and Alix Davis Williams of Clinton High School.

Historian Dr. Stephanie Rolph and English professor Dr. Suzanne Marrs, both of Millsaps College, were the content advisors for the project. Welty House education staff worked with several teachers from area high schools on the content. The unit applies Common Core standards and features a guide to visiting the Welty and Evers houses.

The “Life Into Fiction” exhibition displayed at the Welty Education and Visitors Center on the tragic Evers events and Welty’s story—the only story she said that she ever wrote in anger—also stimulated interest in the unit and provided research and visual materials.

In 2013, the Eudora Welty Foundation, in partnership with Millsaps College, brought three actors from Stanford University to Mississippi to present interpretations of three Welty short stories—”Why I Live at the P. O.,” “A Worn Path,” and “Where Is the Voice Coming From?” They performed at Mississippi State University Meridian campus, Alcorn State University, and Millsaps College. The Millsaps performance was recorded, and this teaching unit contains an audio recording of Dr. Rush Rehm introducing the story and then presenting Welty’s chilling story. The recording is 16 minutes long.

The “Where Is the Voice Coming From?” Teaching Unit includes the following materials. Click on the titles below to download pdfs.

 The Early Sixties in Mississippi, an overview of the climate of segregation at this time in Mississippi and facts about Medgar Evers and Byron de la Beckwith, his assassin

• Life Into Fiction, an introduction to Welty’s creation of the story and photographs of the crime scene

• Questions for Teachers, a list of questions to facilitate classroom discussion of the story

• Common Core: Reading Standards for Literature, pertinent Anchor topics for grades 9/10 and 11/12 related to the story

• Touring the Sites, information about making reservations to tour the Medgar Evers Home Museum and the Eudora Welty House and Garden as well as pertinent questions for students to consider following the field trips

To listen to the audio recording of Dr. Rush Rehm’s introduction and interpretation of “Where Is the Voice Coming From?”, click



Dr. Rush Rehm presenting a dramatic interpretation of “Where Is the Voice Coming From?” by Eudora Welty


Welty’s Short Story ‘The Whistle’ Provides Inspiration for Education

Eudora Welty’s “The Whistle” is a glimpse into life in rural Mississippi during the Depression of the 1930s. The story may be found in Welty’s Collected Stories and A Curtain of Green, as well as the Library of America volume of Welty: Stories, Essays, and Memoir. “The Whistle,” an excellent introduction to Welty for youth and favorite of adults, is the basis of this educational resource package exploring the concept of creative imagination.

Singer/songwriter Claire Holley was inspired by Welty’s story to write a song entitled “Pleasant Dreams,” included here through the artist’s courtesy, to enrich this discussion resource on creativity.

This collection of educational resources, which may be downloaded by clicking the highlighted links, includes:

•  A helpful guide for teachers and others discussing “The Whistle,” “Pleasant Dreams,” and the creative process.

•  An excerpt from Welty scholar Suzanne Marrs’s One Writer’s Imagination: The Fiction of Eudora Welty about the story

• Singer/songwriter Claire Holley’s song “Pleasant Dreams,” inspired by “The Whistle”

• A brief statement from Holley about the creation of the song and the song lyrics, as recorded

• A background essay about tenant farming in Mississippi

• Two photographs taken by Eudora Welty depicting rural life in Mississippi in the 1930s:

“A House with Bottle Trees” and “Tomato Packers’ Recess.”

The resource material was researched and prepared by Karen Redhead and Lee Anne Bryan, former history and English teachers, respectively. Both were also Eudora Welty House staff members — Ms. Redhead was director of the Welty House and Ms. Bryan, assistant to the director and, most recently, education and outreach specialist.


“Welty and the Craft of Writing” Media Resource Kit

“Welty and the Craft of Writing”  contains a DVD of rare films of Welty reading three of her most beloved stories — “Why I Live at the P. O.,” “A Worn Path,” and “Petrified Man” and an interactive CD-Rom of manuscripts, correspondence, and photographs by Welty related to each of the stories. A teacher guide is also included and available here.

Made possible by grants from the National Endowment for the Arts, Comcast Foundation, and Feild Co-operative Association, Inc, the kit is available free to teachers on request as long as supplies last. For an order form, click here.  Teachers are asked to complete an evaluation form after using the kit, sent with the kit and available here.


Welty Biography

Welty Timeline

Welty Bibliography


More Information about Welty and her Works

Click on the following titles to download articles of interest and discussion topics.

Websites of Interest

Mississippi Department of Archives and History – The Eudora Welty House

The Eudora Welty Society

The Eudora Welty Review

The Mississippi Writer’s Page: Eudora Welty

The Greenwood Cemetery

“Eudora Welty as Photographer,” article in Smithsonian Magazine


Traveling Exhibits

Two traveling exhibits are available from the Museum Division of the Mississippi Department of Archives and History, for both in-state and out-of-state loan. The first exhibit, “Welty,” juxtaposes some of Welty’s 1930s era photographs with excerpts from her writing to show the relationship between her source material and her writing. “Eudora Welty: Other Places” presents photographs Welty took in New Orleans and New York City from 1936 to 1939. For more information, contact the Welty House at (601) 353-7762.


National Endowment for the Humanities

Landmarks of American History and Culture Workshop





One Place, One Time: Jackson, Mississippi, 1963

July 14-19, 2013 and July 21-26, 2013

Project Description

Welcome to our webpage, and thank you for your interest in our Landmarks of American History and Culture Workshop, an opportunity generously provided through funding from the National Endowment for the Humanities and jointly sponsored by the Eudora Welty Foundation and Millsaps College.  This workshop will be held on the campus of Millsaps College in Jackson, Mississippi, a city that experienced some of the most transformative and understudied moments of the civil rights movement.

We believe that  “One Place, One Time” will provide all of us with new ways of understanding the complex intersections of race and power, cultural change and resistance, institutions and individuals, and will further provide us with ways of making these intersections vivid for our students. The workshop will focus upon Jackson, Mississippi, and will coincide with the 50th anniversary of the murder of Medgar Evers, a native Mississippian and NAACP field secretary. Evers’s murder was a catalyst for racial change, and the local and national events that surrounded it captured the tensions and conflicts between the civil rights campaign and its detractors.  In our summer 2013 workshop, we will be able to observe the struggle, the tragedy, the triumphs, and the legacy of an emblematic place and moment in American history.

The Sights

Workshop participants will walk along Capitol Street, where students from Tougaloo College braved violence in conducting a 1963 sit-in at the local Woolworth store, and visit Farish Street Baptist Church, where Mississippi children gathered that same year to march for change.  We will visit the Medgar Evers House, the site of the civil rights leader’s life, work, and murder. Jackson’s Smith Robertson Museum offers exhibits about African American history in Mississippi and in the South.  The Eudora Welty House, a bequest from Welty to the state of Mississippi and a National Historic Landmark, is one of the most intact literary houses in America in terms of authenticity.  Interpretations of the house offer profound insight into the creative process of this major American writer and provide a sense of Welty’s personality and values, the values that prompted her to call for integration and to write so powerfully about the tragedy of Evers’s death in “Where Is the Voice Coming From,” a story that puts readers in touch with a time of tremendous upheaval and sacrifice.  A visit to the historic Tougaloo College, the site of the youth movement that was the wellspring of the Jackson Movement, will help participants experience the complexities of the civil rights movement in profound ways.

The Sources

The Jackson, Mississippi, locale offers a multitude of research opportunities for exploring the life of Medgar Evers, its cultural impact, and the oppressive atmosphere of 1963.  The papers of Medgar Evers and Eudora Welty are housed at the Mississippi Department of Archives and History, and the papers of Margaret Walker Alexander, including her journals from 1963, are available at Jackson State University’s Margaret Walker Center. The files of the Mississippi State Sovereignty Commission are open for research at the Mississippi archives and can be accessed online.  Archival materials of particular interest may be the Evers correspondence from 1963, Welty’s revisions of her story “Where Is the Voice Coming From,” Alexander’s journals from 1963, and the Sovereignty Commission files on Evers, Alexander, Millsaps College, and Tougaloo College.  In addition, during the summer of 2013 in Jackson, there will be a number of special tributes to Medgar Evers, including public commemorations during the five days prior to and on the 50th anniversary of his death.  The Mississippi Museum of Art will unveil portraits of Evers and his wife Myrlie and will mount an exhibition of other related works of art.  The Department of Archives and History will have a special exhibition of items from its Evers holdings, and the Smith-Robertson Museum will open a new Evers exhibit.  As a result, in 2013, the Jackson setting will be a particularly compelling site for a Landmarks of American History and Culture Workshop.

In addition, the workshops will give you the opportunity to meet and talk with:

The Scholars

We will also benefit from the scholarly analysis provided by Evers’s biographer Michael Williams; by civil rights historians Leslie McLemore and Robert Luckett; by literary scholar Peggy Prenshaw; and by us.  Suzanne is a biographer of Eudora Welty and a student of her work; Stephanie is the author of an upcoming book focusing on the benighted white resistance to the civil rights movement and on the conservative southern politics that resistance spawned.

The workshops will thus focus upon the actual sites where intersections between race and power occurred in Jackson, Mississippi, in 1963, with historians’ treatments of those intersections both literal and metaphoric, and with firsthand accounts of that momentous time.  In addition, our workshops will go beyond the actual and the historic to explore works of art inspired by Medgar Evers’s life and death, to examine the ways those works of art have helped the state and the nation to grieve, to cope with loss, and to move beyond tragedy toward reconciliation.

Download information on Faculty and Staff here.

Directors: Suzanne Marrs and Stephanie Rolph, Millsaps College

Contact Us:

Email: barks.welty@gmail.com

Phone: Kay Barksdale 601-352-5584


Application Information and Instructions

Prior to completing an application to “One Place, One Time,” please carefully review our web page and consider what is expected in terms of residence and attendance, reading requirements, and general participation in the work of the project.

NEH Landmarks workshops allow 40 teachers at a time to collaborate with core faculty and visiting scholars. The workshops are designed to present the best available scholarship on a specific landmark or related cluster of landmarks. Participants benefit by gaining a sense of the importance of historical and cultural places, by making connections between the workshop content and what they teach, and by developing individual teaching and/or research materials.

All participants who complete all workshop sessions will receive a certificate confirming their participation and a detailed description of the workshop, which will specify the number of contact hours undertaken as well as outlining the reading assignments and session topics.  Participants may use these documents to apply for Continuing Education Unit credits in their home states.


These projects are designed principally for full-time and part-time classroom teachers and librarians in public, charter, independent, and religiously affiliated schools, as well as home schooling parents. Other K-12 school personnel, including administrators, substitute teachers and classroom professionals, are eligible to participate, subject to available space.

Teachers at schools in the United States or its territorial possessions, or Americans teaching in foreign schools where at least 50 percent of the students are American nationals, are eligible for this program. Applicants must be United States citizens, residents of U.S. jurisdictions, or foreign nationals who have been residing in the United States or its territories for at least the three years immediately preceding the application deadline. Foreign nationals teaching abroad at non-U.S. chartered institutions are not eligible to apply. Individuals may not apply to participate in a workshop given by the same director on the same topic in which they have previously participated; in other words, they should not apply to attend the same workshop twice. Individuals may not apply to study with an NEH Landmarks director who is a family member.

Applicants must complete the NEH application cover sheet and provide all the information requested below to be considered eligible. 

Please Note: An individual may apply to up to two NEH summer projects (NEH Landmarks Workshops, NEH Summer Seminars, or NEH Summer Institutes), but may participate in only one.

Selection Criteria

 A selection committee (consisting of the project directors, three master teachers, and a professor of education) will read and evaluate all properly completed applications.

Special consideration is given to the likelihood that an applicant will benefit professionally and personally from the workshop experience. It is important, therefore, to address each of the following factors in your application essay:

1)    Professional background

2)    Your interest in the subject of the workshop

3)    Special perspectives, skills, or experiences that would contribute to the


4)   How the experience would enhance teaching or school service

While recent participants are eligible to apply, selection committees are charged to give first consideration to applicants who have not participated in an NEH-supported seminar, institute or workshop within the last three years. Additionally, preference is given to applicants who would significantly contribute to the diversity of the workshop.

Application Checklist

A completed application consists of three copies of the following collated items:

Please follow the prompts; be sure to indicate your first and second choices of workshop dates. Before you click the “submit” button, print out the cover sheet and add it to your application package. Then click “submit.”

Submission of Applications and Notification Procedure

Completed applications should be submitted to the project co-director Stephanie Rolph, Millsaps College, 1701 North State Street, Jackson, MS 39202, and should be postmarked no later than March 4, 2013. Application materials sent to the NEH will not be reviewed.

Successful applicants will be notified of their selection on April 1, 2013, and they will have until April 5, 2013, to accept or decline the offer.

Once you have accepted an offer to attend any NEH Summer Program (NEH Landmarks Workshop, NEH Summer Seminar, or NEH Summer Institute), you may not accept an additional offer or withdraw in order to accept a different offer.

Equal Opportunity Statement

Endowment programs do not discriminate on the basis of race, color, national origin, sex, disability, or age. For further information, write to NEH Equal Opportunity Officer, 1100 Pennsylvania Ave., N.W., Washington, D.C. 20506. TDD: 202/606-8282 (for the hearing impaired only).

Application materials should be mailed to the following address:
ATTN: NEH Workshop
Millsaps College

1701 North State Street

Jackson, MS 39202

Download Application Information and Instructions here.

Stipend and CEU Credit

All selected participants will receive $1200 at the completion of their workshop week. This stipend can be applied as each participant sees fit. Awardees should keep in mind the cost of transportation to the workshop, meals, housing, and required books when estimating the allocation of their stipend. Per NEH requirements in the workshop application (Section, “Stipend, Tenure, and Conditions of Award):

NEH Summer Scholars are required to attend all scheduled meetings and to engage fully as professionals in all project activities. Participants who do not complete the full tenure of the project will receive a reduced stipend.

Participants who complete all workshop sessions will receive a certificate confirming their participation and a detailed description of the workshop, which will specify the number of contact hours undertaken as well as outlining the reading assignments and session topics.  Participants may use these documents to apply for Continuing Education Unit credits in their home states.

Download Stipend and CEU Credit information here.

Travel and Accommodations for Participants

Jackson is home to the Jackson-Medgar Wiley Evers International Airport (JAN), and is serviced by five (5) airlines: Southwest, Delta, U.S. Airways, United, and American Eagle. Nonstop flights are available between Jackson and Dallas/Ft. Worth, Houston, Chicago, Memphis, Orlando, Atlanta, Charlotte, Baltimore, and Washington, D.C. Taxi service and car rentals are conveniently available for arriving participants. The drive from the airport to the Millsaps Cabot Lodge is approximately 20-25 minutes depending on traffic conditions and time of arrival.

Participants driving to the workshop will find that the Jackson metropolitan area surrounds the intersection of two interstate highways: Interstate 20 (running east to west) and Interstate 55 (running north to south). We are centrally located among a number of cities: Memphis (3 hours), Birmingham (4 hours), New Orleans (3 ½ hours), Nashville (6 ½ hours), Atlanta (6 ½ hours).

A block of rooms has been reserved at the Cabot Lodge Millsaps at the rate of $89/night per room, whether for single or double occupancy.  We will gladly facilitate the process by which participants wishing to share a room can find roommates. The Cabot Lodge provides a complimentary hot breakfast and a cocktail reception hour for all guests. Participants will have access to free wireless internet service in their rooms and throughout the hotel, in addition to several other amenities that will make your visit comfortable and convenient.

The hotel is conveniently located adjacent to the Millsaps College campus, where we will begin most of our mornings. Participants are less than five minutes from campus if they drive, and for those looking to squeeze in a brisk, early walk, Millsaps is at most fifteen minutes from the hotel.

Cabot Lodge Millsaps

2375 North State Street

Jackson, Mississippi 39202

Phone: 601-948-8650

Special Needs of Participants

We consider our workshop a unique opportunity for our colleagues and will strive to make all reasonable accommodations for special needs. Millsaps College and the Millsaps Cabot Lodge are handicap accessible and we will be happy to make additional arrangements as we are made aware of them.

Our groups will be quite mobile as we tour historic sites, and Mississippi is quite hot and humid in July! All participants should bring comfortable shoes and light clothing for our time outdoors and a light sweater or jacket for our classroom time. Laptops and tablets are welcomed and encouraged when used respectfully and judiciously. Wireless access will be available and free both on the Millsaps College campus and in your hotel.

Please do not hesitate to contact us about any concerns or questions you have as you prepare to apply.

Download Travel, Accommodations, and Special Needs Information here.

Required Reading for “One Place, One Time: Jackson, Mississippi, 1963”

Baldwin, James.  Blues for Mr. Charlie. New York:  Vintage, 1995.

Clarion-Ledger (Jackson, MS), 1963, 1994 (packet to be mailed in advance of the workshop).

Evers, Medgar.  The Autobiography of Medgar Evers,  A Hero’s Life and Legacy Revealed through His Writings, Letters, and Speeches.  Ed. by Myrlie Evers-Williams and Manning Marable.  New York:  Basic Civitas Books, 2006.  Documents 70-78, 81.

Evers, Myrlie.  For Us, the Living. Jackson, MS:  University Press of Mississippi, 1996.  Chapters 17-21.

Moody, Anne.  Coming of Age in Mississippi.  New York:  Delta, 2004.   Chapters 22-30.

Morris, Willie.  The Ghosts of Medgar Evers.  New York:  Random House, 1998.   Chapter 1.

Welty, Eudora.  “Powerhouse,”  “Where Is the Voice Coming From?”  In Eudora Welty:  Stories, Essays, Memoir.  New York:  Library of America, 1998.

___.  “Words into Fiction.”  In The Eye of the Story.  New York:  Random House, 1978.

Williams, Michael Vinson.  Medgar Evers:  Mississippi Martyr.  Fayetteville, AK:  University of Arkansas Press, 2011.   Chapters 7 & 8.

Participants will also be provided with photocopies of newspaper articles concerning the Evers murder and the conviction of Byron de la Beckwith, along with photocopies of Margaret Walker Alexander’s poems, “Micah” and “Medgar Evers, 1925-1963, Arlington Cemetery.”

We encourage you to explore all of the book purchasing/borrowing options available. Some of these books are now available through various tablet applications, there are several used options available through sites like Abebooks and Amazon, and always check your local library.

Participants will be provided with a reading schedule that will enable them to begin their readings at their convenience. Workshop week can be quite demanding and intellectually challenging. Reading before your arrival can provide more time in the evenings to rest, talk with your colleagues, or explore the local nightlife!

Download Required Reading list here.

Workshop Schedule

Download the Workshop Schedule here.